For Susan Sontag, 2021. Collage of vintage magazines and grocery store circulars, 6" x 8".
Memento Mori 2, 2014. Silkscreen on newsprint. 7.5" x 9.5".
Bound Gods, 2013. Silkscreen on BFK Rives, 10" x 7".
Sean Cody how I want it, 2013. Limestone lithograph with water-based silkscreen ink printed on archival Arches paper. 21" x 21".
For John Wayne, 2021. Collage of vintage magazines and grocery store circulars, 10.5" x 8".
Lana Turner Has Collapsed, 2014. Relief printed sneakers and marker on paper with digital manipulation, 24" x 18".
Self-Portrait as a Patient Draft #3, 2022. Pronto plate lithograph on paper, 18” x 22”.
Struggle Cut, 2021. Archival ink on newsprint, 15" x 17".
Cosmonaut, 2012. Hard ground, soft ground, aquatint on zinc plate printed on Rives paper. 12" x 9".
Divine Filth series, 2014. Uneditioned silkscreen on archival paper, 19" x 24".
Divine Filth series, 2014. Uneditioned silkscreen on newsprint, 19" x 24".
Divine Filth series, 2014. Silkscreen on cotton, variable sizes.
“When I was twenty-one, I decided I hadn’t been drawing enough. I was going to draw a picture of everything I bought for the whole year, ending on my twenty-third birthday. I thought it would be a good lens to capture my life for a year. More importantly, I knew that the project would be inescapable: from coffee to scabies medication, I drew everything.
When I was finished, I put the journals in a bag on a high shelf and promptly forgot about them. I didn’t reopen my time capsules until this month. Just far enough away that I thought, maybe they’re cute and interesting and someone would want to read them. Ten pages in, I didn’t even want to read it.” Read more at Hopes&Fears.